The Tudor architectural style is the final development of Medieval architecture in England, during the Tudor period (1485–1603) and even beyond, and also the tentative introduction of Renaissance architecture to England. It is generally not used to refer to the whole period of the Tudor dynasty (1485-1603), but to the style used in buildings of some prestige in the period roughly between 1500 and 1560. It followed the Late Gothic Perpendicular style and was superseded by Elizabethan architecture from about 1560 in domestic building of any pretensions to fashion. In the much more slow-moving styles of vernacular architecture "Tudor" has become a designation for styles like half-timbering that characterise the few buildings surviving from before 1485 and others from the Stuart period. In this form the Tudor style long retained its hold on English taste. Nevertheless, 'Tudor style' is an awkward style-designation, with its implied suggestions of continuity through the period of the Tudor dynasty and the misleading impression that there was a style break at the accession of Stuart James I in 1603. The low Tudor arch was a defining feature. Some of the most remarkable oriel windows belong to this period. Mouldings are more spread out and the foliage becomes more naturalistic. During the reigns of Henry VIII and Edward VI, many Italian artists arrived in England; their decorative features can be seen at Hampton Court Palace, Layer Marney Tower, Sutton Place, and elsewhere.
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